Plot Summary:Notorious Bay Area kino-renegade Craig Baldwin tops his earlier found-footage operas SPECTRES OF THE SPECTRUM and SONIC OUTLAWS with the rapid-fire pulp serial-cum-political-tract piss-take on California's major industrial complexes: military, entertainment and religious. Hitting upon everything from Satanism to Scientology, the Beats to the jets (propulsion, that is), Baldwin revs-up his characteristic stock footage reappropriations with some live-action scenes of his own, adding an over-the-top pulp flair to the proceedings. The film focuses on three seemingly disparate characters to fuel this secret history of California: Jack Parsons, inventor of solid rocket fuel, founder of the Jet Propulsion Laboratory and Aleister Crowley acolyte; Marjorie Cameron, artist, beatnik and occultist; and L. Ron Hubbard, the science fiction writer turned Scientology founder. Rather than offering straightforward profiles, Baldwin mashes up their histories with archival footage drawn from his vast ...